![]() While it’s one of the film’s strengths, the lack of apparent markers might also alienate audiences who have not thought much about what it might feel like to grow older and lose a part of their identity. It’s a refreshing take that feels far different from more typical portrayals. It’s a movie that captures, with dignity and tenderness, the trials of growing older without being condescending. So if you’re looking for something to watch with a parent and a grandparent, this might work well. The themes touched on in Coda also reach many different audiences, but I also feel that the film will appeal primarily to an older crowd. The sound design and mise-en-scène are relatively strong, but the actual quality of the image leaves something to be desired the film feels a bit “TV.” That likely won’t be too much concern for those who care about performances above nearly everything else. As much as its timelessness is a virtue, it also feels a bit impersonal - as if the film lacks an appropriate closeness to the subject that might elevate it. In many ways, it’s a minor film, one that captures, to a certain extent, poetic and relatable ideas without ever reaching greatness. Though the film centres in part on interpersonal relationships, it avoids predictable conflicts and circumvents many clichés often associated with dramatic screenplays.Ĭoda has a lot of virtues, but it certainly isn’t for everyone. It’s refreshing to watch a film where characters feel complex, living far beyond the film’s scope. Esposito (best known for his role as Gus in Breaking Bad) is a bit colder on the surface but no less embodied. Her warmth is effusive, and her talents as an actor have rarely been better utilized. Holmes comes into her own as a failed pianist turned journalist who has a passion for music and the people who make it. Stewart’s performance is complemented by a solid supporting cast, including Katie Holmes and Giancarlo Esposito. While Stewart continues to impress in franchise roles in Star Trek and X-Men, it’s humbling to see him tackle such a deeply felt performance he can create from scratch. ![]() His suffering becomes a source of pain and transcendence, an opportunity to come to terms with his finite life. The filmmaking flatters his restraint through well-constructed images that underline anxiety and awe of his insignificance, such as a man overwhelmed by a large concert hall and engulfed by the majesty of nature. Patrick Stewart’s performance as Cole is quiet, choosing small gestures over grand dramatics to translate his growing sense of fear. He develops a new friendship with a music journalist, Helen (Katie Holmes), and as they grow closer, his mental health deteriorates, and his music career suffers. ![]() With his comeback tour hanging in the balance, he attempts to find his grounding, but a lot has changed in the years since he was last performing regularly his wife died, and he has grown older. However, rather than enjoy the experience, he’s overcome with anxiety and stage fright. Led by a subtle performance by Patrick Stewart, the movie explores a man going through a huge life change and how music and friendship keep him grounded.Īfter a long absence, pianist Henry Cole (Stewart) returns to the stage. ![]() That’s why Coda - a sensitive drama based on an original screenplay about a pianist’s mental decline - stands out as exceptional in the current media landscape. In the age of spectacle and streaming, one of the most neglected categories of films is the intimate drama.
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